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Joe Pagetta Biography "Pagetta is gifted with that elusive roots rocker quality of simultaneously sounding both tantalizingly familiar and altogether distinct. His deference to small town America certainly hearkens back to John Mellencamp while his gruff vocals recall more than a bit of Dave Alvin. Toss in a bit of incessantly clever Elvis Costello like turning of a phrase, not to mention Pagetta's own fondness for a catchy hook, and you've got a combination of wit and muscle that's pretty hard to resist. -- James Cassara, Rapid River Arts, on Joywood, Oct. 2004
"While Pagetta’s musicianship and lyrics were never lacking, his move from mostly acoustic to slightly more electrified arrangements, as well as his ever-developing storytelling lyrics, have only improved with Joywood." -- Whitney Sanford, EC Rocker "...a sweet roots-rock collection packed with mandolins, chiming pop melodies and easy rhythms." -- Michael McCall, Nashville Scene, on Joywood "... a tough but pretty new album. Joywood comes complete with 'sidewalk grit' and 'pop sparkle'." --- Peter Cooper, The Tennessean Pagetta continued to build his songwriting and performing skills in the early 2000s and soon became part of the burgeoning Americana and singer-songwriter rock scene developing in East Nashville around the Family Wash bar & restaurant. Working with producer George Marinelli, Jr. (sideman to Bonnie Raitt and original member of Bruce Hornsby and the Range), Pagetta released the pop and roots-rock Joywood in 2004, named for the East Nashville neighborhood where he resided. The album featured backing by some of Nashville’s finest musicians like bassists Dave Pomeroy and Dave Jacques and drummer Griffith and a guest spot by "Bette Davis Eyes"-icon Kim Carnes. Good reviews appeared in the Tennessean, Time Out New York, The Nashville Scene, Americana UK, Now on Tour, The East Coast Rocker and more while songs were picked up by NPR, MTV and added at close to 200 college stations nationwide. Pagetta hit the road in 2004-2005 and performed in New York, Boston, New Jersey, St. Louis and Philadelphia while securing opening slots for up-and-coming bands Antigone Rising and Blue October. The 5-song EP Other People's News, his latest release, comes out in May of 2007. A former journalist for his hometown Jersey Journal, Pagetta holds a bachelor’s degree in English and continues to write prose both professionally and leisurely, while currently handling media relations for non-profit cultural organizations in Nashville. An avid reader and first edition book collector, Pagetta also fancies himself an amateur chef, specializing in the southern Italian fare he grew up with as a first-generation Italian-American. He lives just outside of Nashville with his wife Kathy and two cats. Discography:
Releases:
Limited
Edition/Promo: Compilations:
- 30 - SPRING 2007 |
Born
and raised in Jersey City, NJ Joe Pagetta got his musical
start in the early 1990s with the melodic hardcore outfit Horror
Time. After two years as the band's frontman and co-writer, Pagetta
left to reinvent himself as a contemporary singer-songwriter and
troubadour in the songwriter clubs of Greenwich Village in the mid-90's.
He picked up early acclaim from the CMJ New Music Report ("more
to do with hallowed troubadours like Leonard Cohen, Mark Eitzel
and Skip Spence…") and the Aquarian Weekly "( (Pagetta) rhymes internally
like a young Dylan"). Fronting the Joe Pagetta Band in the mid 90’s,
he performed frequently at clubs like the Bitter End in New York
and the Saint in New Jersey and recorded two EPS, one prompting
the Aquarian Weekly to call the band "a great acoustic pop band
at work." Pagetta moved to Nashville by the end of the decade
and in 1999 released an EP of odds ‘n’ ends from his Northeast days
called recollections of maybeville. The EP was licensed in its entirety
by the Oxygen Network and hailed by the Louisville Eccentric Observer
as being "filled with wonderful observations...with a right-sized
rock format that would please on any John Mellencamp fan." 2001
saw the release of the mostly-acoustic full-length Small Worlds.
The Rage in Nashville said it called to mind "easy-going Northeastern
folk like Ellis Paul with a little sleazy 1970's N.Y. rock a la
Lou Reed thrown in."
